02-15-2024, 06:10 PM
Well, thank you gentlemen. I really appreciate that. I guess I do not need to hear my club’s reviews with comments like that from the two of you.
Rich, those three would make an excellent trio foe a wall hanging. I really see that in a dining room over a cherry wood linen chest underneath of it, with several bottles of wine on a row on top, maybe in some sort of multiple bottle wine holder.
Wasn’t there a special name given to that bureau that held the linens? And I do not mean a china cabinet.
Lorell
PS. At tonight’s meeting one of the members is giving a presentation regarding the four things that judges look for in a good image. I understand he uses the symbol of a stool where all four legs of the stool must be sound to hold up the stool. I think two of the legs is composition, impact, technique. I am tickled pink because he asked me to send him my photos of the tractor that I shared with you a few weeks ago, the original, the first artistic B&W transformation and then the cropped sepia revision, that Peter said he liked that most.
In a way, I am glad that I won’t be there to hear him tell about it so he can freely talk about what was wrong with the first two versions and why he liked the final version the most. By the way, The final version was based upon his critique and suggestions at the last club meeting.
Rich, those three would make an excellent trio foe a wall hanging. I really see that in a dining room over a cherry wood linen chest underneath of it, with several bottles of wine on a row on top, maybe in some sort of multiple bottle wine holder.
Wasn’t there a special name given to that bureau that held the linens? And I do not mean a china cabinet.
Lorell
PS. At tonight’s meeting one of the members is giving a presentation regarding the four things that judges look for in a good image. I understand he uses the symbol of a stool where all four legs of the stool must be sound to hold up the stool. I think two of the legs is composition, impact, technique. I am tickled pink because he asked me to send him my photos of the tractor that I shared with you a few weeks ago, the original, the first artistic B&W transformation and then the cropped sepia revision, that Peter said he liked that most.
In a way, I am glad that I won’t be there to hear him tell about it so he can freely talk about what was wrong with the first two versions and why he liked the final version the most. By the way, The final version was based upon his critique and suggestions at the last club meeting.